Realeses
Noise's Hit All Colic Grind
Realese Date: 2026-05-06
All tracks from this EP were new and recently recorded, three of them carry names that date back to the early 2000s, when there was a draft for a second Atomic Bomb album: Magnetic Death, Sleep Kill Not and The Destruction of The World. These titles were intentionally preserved as a conceptual bridge between two eras. However, none of the original material was used. Only the names survived. Everything heard here — instrumentals, vocals, textures, noise layers and reconstructions — was created exclusively for this EP.
The track The Destruction of The World, for example, was originally meant to reuse its old instrumental, but the process took a different turn.
The EP closes with NWOSPS 2.0, a modern reinterpretation of a classic from the Hellthoven/Atomic Bomb catalog. The “2.0” is not just an update: it is a provocation aimed at distributors, which traditionally reject titles with numbers, dots and combinations that challenge their automated filters. It is therefore both a conceptual continuation and an aesthetic affront.
UPC: 5063960889202
© 2026 Rafael Elias
Fusio Nuclearis
Realese Date: 2026-04-16
Fusio Nuclearis is an album built on deliberate contradiction: a collision of extreme music, cultural satire, regional homage, and sonic experiments that refuse to behave. Conceived after an algorithmic glitch turned a Latin translation into a search‑engine anomaly, the record embraces confusion as both method and aesthetic. Across thirteen tracks, it shifts between absurdity, critique, nostalgia, and noise, treating genre boundaries as optional and coherence as a negotiable concept.
UPC: 5063960287794
© 2026 Rafael Elias
The Grantor
Realese Date: 2026-03-17
Hellthoven’s definitive descent into the depths of Noiseshitalcoholicgrind. This EP is a sonic anomaly—a bridge between the raw, cut-and-paste analog chaos of the late 90s and the distorted digital landscapes of today. Forget harmony. Embrace the error. The Grantor is a celebration of human entropy, where visceral intuition overrides algorithmic perfection. This is unfiltered, unrefined, and strictly focused on the fringe of sound. The frequency is dead. This is one of a series of releases from 2026, including the EP “La Bouche Is My Favorite Grindcore Band,” which positions Hellthoven within the underground world of electronic and metal experimentation.